With the Quick Edit feature, making a fast change has never been easier-even after prompting has begun. Often scripts are getting edited right down to the last minute and beyond. Remote control with Teleprompt+ 3 is better than ever. Connect wirelessly to one or more iOS devices placed in mirror reflector kits, and use the Mac to manage your scripts, make fast edits, adjust the settings, and control the pace. With its built-in hardware keyboard and large screen, the Mac makes for a great control device during remote sessions. With rich text editing you can make specific portions of your script bold, underline, or italic, or change the color of the text of selected words, phrases, or entire paragraphs with ease. and/or other countries.Sometimes you need certain words to stand out. Apple, the Apple logo, iPhone, iPod and iPad are registered trademarks of Apple Inc. ![]() Copyright (C) 2014 Bombing Brain Interactive. Its Teleprompt+ applications for iPad, iPhone, and OS X are industry standards for professional teleprompter software solutions. Its mission is to identify fun and unconventional uses for Apple’s revolutionary mobile products and make them a reality. For those wishing to dig deeper and understand the full capabilities of the app, the integrated help screen includes a completely new 56-page user manual, all-new instructional videos, and of course links to contact Bombing Brain’s highly-regarded customer support.īombing Brain Interactive is an independently owned and operated company located in the Philadelphia, PA area. Teleprompt+ 3 offers a simple and clean new editing interface that can be expanded and explored with just a few taps or by using hand gestures. We’ve always been careful to design even the most advanced professional capabilities with simplicity in mind.” We never lost sight of that – the best software products have always been easy to use. “You can be up and prompting within a matter of minutes of installing the app. “Despite being the most advanced version of Teleprompt ever offered, Teleprompt+ 3 still remains extremely simple to use.” Gene also commented. The completely re-written remote control capability allows you to pair and control multiple iOS 7 devices from a single iPad or iPhone with ease. The new audio and video recording console allows you to control recording functions directly while prompting. Export scripts, audio and video files directly to online document sharing services such as Dropbox and Google Drive. Importing of scripts has now been expanded to support the import of Microsoft Word and RTF file formats. Quick-editing while prompting allows you to pause and modify scripts on-the-fly during prompting sessions. Teleprompt+ 3’s new features include rich-text editing – highlight certain words, sentences or paragraphs in your script using color, bold, italic, underlining, and indentation for emphasis or to identify lines for different speakers. Teleprompt+ 3 is the result of over two years of development and a completely new app optimized for iOS 7 and the latest hardware.” We ended up re-writing the app from scratch. The power of iOS 7 offered us the ability to bring our users many of their most-requested features, but to do so we had to rethink a lot of the way we were doing things under the hood. We had been working on Teleprompt+ 3 for almost a year when Apple released iOS 7 last fall. “For the past 4 years, Teleprompt has been the standard for teleprompting on iOS, but still we needed to do better. “Today’s launch of Teleprompt+ 3 is a huge milestone in our company history.” said Gene Whitaker, CEO of Bombing Brain Interactive. Featuring a completely new user interface optimized for iOS 7, and tons of new features such as rich text and quick-editing while prompting, Teleprompt+ 3 is biggest and best update of the the software to date. The all-new Teleprompt+ 3 is now a universal application that can be run on any iPad, iPad Mini, iPhone and iPod touch capable of running iOS 7. ![]() Philadelphia, Pennsylvania – Bombing Brain Interactive today announced the availability of Teleprompt+ 3, the next generation of their industry-leading teleprompter app for iOS.
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Unranked Play allows players to engage in matchmaking and find games vs.The new matchmaking AI can accommodate a wide variety of skill levels and play styles.Players can now utilize the matchmaking system to challenge an AI opponent that scales in difficulty.Versus AI Mode is a reworking of the previous Coop Versus AI Mode in Wings of Liberty.Training Mode allows players to work their way up from basic StarCraft gameplay skills to great challenges.Three options have been added to the Matchmaking Screen to help newer players make a more gradual transition from single-player to multiplayer.Text Language added to the Options > Language menu.Speech and Movie Language options added to the Options > Language menu.Players can now select among different languages in StarCraft II.Global Play will be enabled in the coming weeks.Players will soon have the freedom to select any game region to connect to and play.Player Profile now shows all wins and losses for all leagues.Map Report: Tracks number of games played and win/loss ratios on every ladder map.Race Report: Tracks number of games played and win/loss ratios for every race matchup.Additional Race and Map Report statistics pages in the Ladders section of the Player Profile:.New buttons allow players to “Play Again” or “Watch Replay Solo” directly from the post-game Score Screen.Performance tab now tracks gameplay stats such as Average Unspent Resources, Time Supply Capped, Workers Created, and APM.For more details, see our New Replay and Resume Features Coming in Heart of the Swarm overview blog post.Recover Game: Players can now choose to recover from a game that may have ended prematurely due to disconnection, input loss, or other abnormal causes.Take Command: Players watching a replay together can also opt to “Take Command” of the replay and assume control of selected player armies.Watch with Others: Players can now watch replays with others in the same game.Check out our StarCraft blog for more detailed information on Clans and Groups, as well as our Social Features video.Players who have used their free character name change will receive an additional one.Players are allowed to join many different groups. Joining a Group is a way for players to interact with others who share common interests. Groups are for players who want to associate casually and in larger numbers.Clan tags are pre-pended to character names of all players who join a Clan. Anyone can now create or join a Clan and participate in private clan chat, post news on Clan affairs, and more.More detailed information can be found in our Heart of the Swarm UI Update blog post.Many redundant screens and game modes have been eliminated.Players are now one click away from any major screen in the User Interface.The User Interface layout, art, and graphic style have been completely revamped.StarCraft II: Wings of Liberty patch 2.0.4 is now live! This major patch brings a number of exciting new systems and improvements to Wings of Liberty while paving the way for the release of our Heart of the Swarm expansion on March 12. ![]() At the time I bought them I did not know what I was doing but figured that I should put my money in a recorder to get a good one. They are mostly Moeck Rottenburghs in rosewood. My old concert recorder (45 years ) still play well. Officials at the Fed tend to look at capacity use measures for signals of how much “slack” remains in the economy - how far growth has room to run before it becomes inflationary.Wood recorders require more care than plastic but with proper care wood can last. It is 0.5 percentage points below its 1972-2021 average. Overall capacity use for the industrial sector rose to 79.0% last month from 78.9% in April. It is 1.0 percentage points above its long-run average. Industrial output jumped 1.4% in April.Ĭapacity utilization for the manufacturing sector, a measure of how fully firms are using their resources, edged down 0.1 percentage point to 79.1% in May. The solid gains in mining and utilities offset the dip in manufacturing, lifting overall industrial production 0.2%. Utilities output climbed 1.0% after surging 5.5% in April. Mining production increased 1.3% after rising 1.1% in the prior month. Production at auto plants rose 0.7% last month after advancing 3.3% in April. Nondurable manufacturing production edged up 0.1%, supported by increases in petroleum and coal products, which offset declines in food, beverage and tobacco products as well as paper and printing.īut the output of long-lasting goods fell 0.2%, pulled down by declines in wood products and machinery. May’s surprise decline in factory production followed three months growth averaging nearly 1%. Weaker conditions were also reported in the mid-Atlantic region, with the Philadelphia Fed’s measure of manufacturing activity posting a negative reading this month for the first time since May 2020. “Manufacturing activity is likely to face near term headwinds from supply chain dislocations from the war in Ukraine and COVID policy in China,” said Rubeela Farooqi, chief US economist at High Frequency Economics in White Plains, New York.Ī survey from the New York Fed this week showed activity at factories in New York state remained soft in June, with unfilled orders falling for the first time in over a year. The US central bank has hiked its policy interest rate by 150 basis points since March. But spending is gradually reverting back to services, while Russia’s dragging war against Ukraine and China’s zero-tolerance COVID-19 policy have further entangled supply chains.Ī strong dollar as a result of rising interest rates could make US exports more expensive. Manufacturing, which accounts for 12% of the US economy, has been supported by strong demand for goods. US weekly jobless claims fall modestly housing starts hit 13-month low Economists polled by Reuters had forecast factory production gaining 0.3%. ![]() Manufacturing output dipped 0.1% last month after increasing 0.8 in April. “But there is still little in activity data to suggest a recession is on the horizon, or to dissuade the Fed from pressing ahead with more aggressive policy tightening.” “It adds to the evidence that the economy is slowing,” said Andrew Hunter, a senior US economist at Capital Economics. The weakness in production also reflects a shift in spending from goods to services. The first decline in manufacturing output since January reported by the Fed on Friday followed news this week of a drop in retail sales last month as well as steep declines in homebuilding and permits. WASHINGTON: Production at US factories unexpectedly fell in May, the latest sign of cooling economic activity as the Federal Reserve aggressively tightens monetary policy to tame inflation. ![]() Employees-including faculty, physicians, and supervisors-as well as students and other WCM personnel, must never ask anyone else for their password.A shared or compromised CWID password is a reportable ITS security incident. WCM passwords must never be shared with another individual for any reason or in any manner not consistent with this policy.Initial passwords must be securely transmitted to the individual. WCM passwords must be changed immediately upon issuance for the first-use.As such, the following principles must be adhered to for creating and safeguarding passwords: Individuals are responsible for keeping passwords secure and confidential. Tschinkel, Chief Information Security Officer, using one of the methods below: Web Address of this Policyĭirect any questions about this policy, 11.15 – Password Policies and Guidelines, to Brian J. Who Should Read this PolicyĪll individuals provided with a CWID for accessing Weill Cornell Medicine information systems. Weill Cornell Medicine and affiliates with any type of WCM information system access. The parameters in this policy are designed to comply with legal and regulatory standards, including but not limited to the Health Insurance Portability and Accountability Act (HIPAA) and the Payment Card Industry Data Security Standard (PCI DSS). Individuals with CWIDs are responsible for safeguarding against unauthorized access to their account, and as such, must conform to this policy in order to ensure passwords are kept confidential and are designed to be complex and difficult to breach. If a password is compromised, access to information systems can be obtained by an unauthorized individual, either inadvertently or maliciously. Reason for PolicyĪssigning unique user logins and requiring password protection is one of several primary safeguards employed to restrict access to the Weill Cornell Medicine network and the data stored within it to only authorized users. Passwords must not be shared with or made available to anyone in any manner that is not consistent with this policy and procedure. 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It evolved as little lime balls appeared. This painting began before we could see the leaves budding, whilst the trees were still dreaming up their possibilities. The countryside is about to become verdant, the green fuse beginning… but not just yet. It is the time of year when I am eagerly watching naked branches, like a cheerleader for every whispering of green. It is when the wildness softens slightly. Grey Skies Change, by Alex Mcintyre is on the cusp of spring. Please note that insitu images are purely an indication of how a piece may look Complete Size of Unframed Work: H:100 cm x W:150 cm x D:3.2cm ![]() Grey Skies Change by Alex McIntyre is an original ink and gesso on birch panel. Complete Size of Unframed Work: H:100 cm x W:150 cm x D:3.2cm. Grey Skies Change and Chromatic Grey Skies diptych by Alex McIntyreĬhromatic Grey Skies by Alex McIntyre is an original ink and gesso on birch panel painting. I found this week’s theme and exercises extremely rewarding an relevant to the sort of creative career I am pursuing.Grey Skies Change and Chromatic Grey Skies diptych by Alex McIntyre Ĭomplete Size of Unframed Work: H:100 cm x W:150 cm x D:3.2cm It allowed me to look at my painting in a more analytical and observant way with consideration to how colour behaves and works. The colour matching exercise gave me the opportunity to see how difficult yet rewarding mixing real world complex colours could be and I was able to strengthen the newly learnt skills I had obtained that week. I feel as though I’m now able to see what kind of primary and complementary colours I would need to create complex colours in the real world. To see what could be created by mixing opposites on the colour wheel really showed me how I would approach more complex colours in the future. It was a great lesson in colour and how to create darker, more complex colours without using black. I learnt a lot about the outcomes of mixing complementary colours and the complex tertiary colours that can be made. Overall, I found this exercise extremely educative. We had to walk around outside of the studio and find organic material such as leaves or plants that were more complex colours. To put our new skills of mixing complex tertiary colours into practice, we were assigned the task of painting organic material from outside. This really gave us a good look at the what we had created and the kind of colours we were dealing with. Similarly to the yellow/purple chart, I found the tertiaries in the middle to become alike and difficult to differentiate at times.Īfter the majority of the class had completed their charts, we were able to observe them hung up on a wall. ![]() The tertiary colours of this chart were the most appealing to me and also seemed the most natural/earthy. It really showed just how complex some of these tertiary colours could be and how complementary colours effect one another. ![]() Once I had the right colours, mixing in white made them stand out more. Eventually I realised I was mixing the wrong green-to-red ratios and from there, the colours showed better. This was frustrating because when I added more red to lighten the colour, it just became more red-tinted. I felt as though all the colours I was mixing were coming out too dark to be seen properly. ![]() The problems I ran into with this chart was the value of the colours being mixed. ![]() Social and protest movements use music for motivation, group cohesion, and to focus their goals and message ( Eyerman & Jamison, 1998), and music therapists encourage patients to choose music to meet various therapeutic goals ( Davis, Gfeller & Thaut, 1999 Särkamö, et al., 2008). Music is also used to enhance concentration and cognitive function, to maintain alertness and vigilance ( Emery, Hsiao, Hill, & Frid, 2003 Penn & Bootzin, 1990 Schellenberg, 2004) and increase worker productivity (Newman, Hunt & Rhodes, 1966) moreover, it may have the ability to enhance certain cognitive networks by the way in which it is organized (Richard, Toukhsati, & Field, 2005). As adolescents and young adults, we tend to listen to music that our friends listen to, and this contributes to defining our social identity as well as our adult musical tastes and preferences ( Creed & Scully, 2000 North & Hargreaves, 1999 Tekman & Hortaçsu, 2002). ![]() Adolescents report that they use music for a distraction from troubles, a means of mood management, for reducing loneliness, and as a badge of identity for inter- and intragroup self-definition ( Bleich, Zillman & Weaver, 1991 Rentfrow & Gosling, 2006 2007 Rentfrow, McDonald, & Oldmeadow, 2009 Zillmann & Gan, 1997). Many individuals also use music functionally, for mood regulation and enhancement ( North & Hargreaves, 1996b Rentfrow & Gosling, 2003 Roe, 1985). One common use of music in contemporary society is pure enjoyment and aesthetic appreciation ( Kohut & Levarie, 1950), another common use relates to music’s ability to inspire dance and physical movement ( Dwyer, 1995 Large, 2000 Ronström, 1999). ![]() A challenge to such an investigation is that music is used for many different purposes. Remarkably, however, little is known about the underlying principles on which such individual musical preferences are based. When it comes to self-selected music, individuals demonstrate manifestly different tastes. ![]() Taken together, background and intentional music listening add up to more than 5 hours a day of exposure to music for the average American ( Levitin, 2006 McCormick, 2009). In addition to all of these uses of music as a background, a form of sonic wallpaper imposed on us by others, many of us seek out music for our own listening – indeed, Americans spend more on music than they do on prescription drugs ( Huron, 2001). Manufacturers use it to sell their products, while yoga, massage, and exercise studios use it to relax or invigorate their clients. It accompanies movies, television programs, and ball games. It is piped into retail shops, airports, and train stations. The findings from a fourth study suggest that preferences for the MUSIC factors are affected by both the social and auditory characteristics of the music. We have interpreted and labeled these factors as: 1) a Mellow factor comprising smooth and relaxing styles 2) an Urban factor defined largely by rhythmic and percussive music, such as is found in rap, funk, and acid jazz 3) a Sophisticated factor that includes classical, operatic, world, and jazz 4) an Intense factor defined by loud, forceful, and energetic music and 5) a Campestral factor comprising a variety of different styles of direct, and rootsy music such as is often found in country and singer-songwriter genres. The findings from three independent studies converged to suggest that there exists a latent five-factor structure underlying music preferences that is genre-free, and reflects primarily emotional/affective responses to music. Here, we introduce a model of musical preferences based on listeners’ affective reactions to excerpts of music from a wide variety of musical genres. Individuals demonstrate manifestly different preferences in music, and yet relatively little is known about the underlying structure of those preferences. Music is a cross-cultural universal, a ubiquitous activity found in every known human culture. The watcher now sends notifications to PowerShell’s engine event queue using the source identifier “MyEvent”. ![]() New-FileSystemWatcher -SourceIdentifier "MyEvent" -Path C:\Tempfiles Please refer to the Microsoft’s reference documentation of the FileSystemWatcher class for the details. IncludeSubdirectory: extends the area of observation to the subdirectories of the specified path.Filter: a wildcard to define a subset of files to watch.NotifyFilter: what kind of change triggers an event (by default: LastWrite, FileName, DirectoryName). ![]() The command allows to specify the same parameters (with the same names) as if you are using the C# class directly. As an example, you can watch for changes in directory C:\Tempfiles. It hides the C#-API behind a PowerShell command with argument completion, it keeps track of the created watchers, and provides commands to pause notifications and to clean up the watchers if they are no longer needed.Īfter you install and import the module, you can create a new filesystem watcher. I made the FSWatcherEngineEvent PowerShell module to make these file system watchers easier to use. ![]() There are already many examples on the internet showing how to create and configure the watcher in PowerShell but this isn’t something I can easily recall from memory at the moment I need it. A file system watcher listens to change notifications generated by the operating system and invokes a given function if the file change matches several filter criteria like the directory, the file name or the type of the change. NET Framework class named FileSystemWatcher which suits this job perfectly. Some time ago I wanted to sync files from a source directory to a destination directory immediately after they had changed in the source directory. |
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